When walking through Galaxy’s Edge, you’ll probably notice an unassuming building with a line of people waiting outside. This is Oga’s Cantina, the central social hub of the area. And despite the building’s lack of exterior drama, it’s one of the most intricately detailed spaces in the land.
When Imagineers developed Galaxy’s Edge, the goal was to replicate the lived-in, utilitarian aesthetic established in the original Star Wars trilogy, particularly the planet Tatooine.

Tatooine (and the famous Mos Eisley Cantina, from which Oga drew heavy inspiration), mimic Tunisian Ghorfa architecture with stone and clay barrel-vaulted rooms.
Designing the structure presented a distinct challenge for Imagineers, because the physical building had to accommodate high daily guest volume while maintaining the cramped, chaotic atmosphere that would make an outlaw bar believable and immersive. And the outside had to somehow be sort of “incognito”, because why would an outlaw hang out somewhere highly recognizable?
To solve the exterior challenge, Imagineers settled on a compromise. Oga’s Cantina is much larger than the buildings around it, so park guests can easily spot it. But it’s utterly plain on the outside (and quiet), with no sign of the rowdy rebels within. That way, passing stormtroopers won’t assume and trouble is afoot.
The interior architecture relies on a tight, enclosed footprint to create the illusion of a crowded desert establishment. Low ceilings, exposed industrial pipes, and weathered metal panels define the space. These elements suggest a structure that was originally built for industrial utility and later retrofitted into a cantina. The layout relies heavily on standing-room sections and bar rails, which maximizes capacity and forces a communal, shoulder-to-shoulder environment that matches the narrative of a frontier outpost.
This video from Disney Parks was filmed in the Disney World version, but the two cantina interiors are identical:
The physical details within the room support the backstory of Oga Garra, the unseen local crime boss who controls the venue. Behind the bar, bubbling glass tanks and mechanical fluid systems imply illicit brewing operations. In the corner, DJ R-3X occupies a booth constructed from salvaged ship parts, providing audio entertainment from his days as a pilot droid. The walls feature scorch marks, dents, and patched panels, physical signs of wear and tear that reflect the history of smuggling and local conflicts.
To me, Oga’s Cantina is a great example of when Imagineering marries storytelling and function. One one hand, it’s a high-capacity bar that serves as an attraction. And on the other, it’s a storytelling prophet conveys the secrecy and “underbelly” within this land featuring two opposing parties at war.




